Paul Klee. The One in Love (Der Verliebte) from Masters' Portfolio of the Staatliches Bauhaus (Meistermappe des Staatlichen Bauhauses). 1923

Paul Klee

The One in Love (Der Verliebte) from Masters' Portfolio of the Staatliches Bauhaus (Meistermappe des Staatlichen Bauhauses)


Not on view
Lithograph from a portfolio of three lithographs, three woodcuts and two etchings
composition: 10 13/16 x 7 1/2" (27.4 x 19.1 cm); sheet: 13 9/16 x 10 9/16" (34.4 x 26.9 cm)
Staatliches Bauhaus, Weimar (Bauhausverlag G.m.b.H., Munich-Weimar)
Staatliches Bauhaus, Weimar
Larry Aldrich Fund
Object number
© 2015 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Masters' Portfolio of the Staatliches Bauhaus (Meistermappe des Staatlichen Bauhauses)
Drawings and Prints
This work is not on view.
This work is part of a portfolio with 6 other works online.
Paul Klee has 144 works online.
There are 17,184 prints online.

The range of approaches in this portfolio evidences the lack of a single Bauhaus style. All of the contributors were "masters," or artist-teachers, at the school. Vasily Kandinsky, László Moholy-Nagy, and Lothar Schreyer created abstract compositions. Paul Klee offered a whimsical erotic scene, while Gerhard Marcks provided a sentimental representation of a mother and child. Lyonel Feininger's and Georg Muche's works are formal experiments showing Cubist influences. What all these prints had in common was the artists' belief in the mission of the Bauhaus and its goal of reshaping modern life through art and design. The sales of the portfolio benefited the school, which was in dire need of funds during the period of runaway inflation in the early years of the Weimar Republic.


As head of the Bauhaus printing workshop, Feininger directed the monumental project. In addition to designing the portfolio cover and lettering, he oversaw the hand-printing of the entire edition, a process that consisted of rendering more than eight hundred compositions of varying levels of technical complexity onto a range of papers. This painstaking production reflects Feininger's emphasis on the artistic, rather than the reproductive, aspect of printmaking as well as the Bauhaus's craft orientation in its early years.

Publication excerpt from Heather Hess, German Expressionist Digital Archive Project, German Expressionism: Works from the Collection. 2011.

Provenance Research Project
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Tore Hakansson, New York; sold to The Museum of Modern Art, New York, 1956

If you have any questions or information to provide about the listed works, please e-mail or write to:

Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019

Image permissions

In order to effectively service requests for images, The Museum of Modern Art entrusts the licensing of images of works of art in its collections to the agencies Scala Archives and Art Resource. As MoMA’s representatives, these agencies supply high-resolution digital image files provided to them directly by the Museum's imaging studios.

All requests to reproduce works of art from MoMA's collection within North America (Canada, U.S., Mexico) should be addressed directly to Art Resource at 536 Broadway, New York, New York 10012. Telephone (212) 505-8700; fax (212) 505-2053;; Requests from all other geographical locations should be addressed directly to Scala Group S.p.A., 62, via Chiantigiana, 50012 Bagno a Ripoli/Firenze, Italy. Telephone 39 055 6233 200; fax 39 055 641124;;

Requests for permission to reprint text from MoMA publications should be addressed to

Related links:
Outside North America: Scala Archives
North America: Art Resource

This record is a work in progress. If you have additional information, or have spotted an error, please send feedback to