Eileen Gray. Screen. 1922

Eileen Gray



Not on view
Eileen Gray Workshop, Paris, France
Lacquered wood and metal rods
74 1/2 x 53 1/2 x 3/4" (189.2 x 135.9 x 1.9 cm)
Hector Guimard Fund
Object number
Architecture and Design
This work is not on view.
Eileen Gray has 4 works online.
There are 8,569 design works online.

This lacquered wood screen is composed of several horizontal rows of panels joined by thin vertical metal rods. It functions not only as a movable wall that demarcates space but also as a sculpture composed of solids and voids. Gray, one of the leading designers working in Paris after World War I, popularized and perfected the art of lacquered furnishings. Her preference for the meticulous finish of lacquer reveals the contemporary taste for materials used in Japanese decorative arts.

Gallery label from Designing Modern Women 1890–1990, October 5, 2013–October 1, 2014

Image permissions

In order to effectively service requests for images, The Museum of Modern Art entrusts the licensing of images of works of art in its collections to the agencies Scala Archives and Art Resource. As MoMA’s representatives, these agencies supply high-resolution digital image files provided to them directly by the Museum's imaging studios.

All requests to reproduce works of art from MoMA's collection within North America (Canada, U.S., Mexico) should be addressed directly to Art Resource at 536 Broadway, New York, New York 10012. Telephone (212) 505-8700; fax (212) 505-2053; requests@artres.com; artres.com. Requests from all other geographical locations should be addressed directly to Scala Group S.p.A., 62, via Chiantigiana, 50012 Bagno a Ripoli/Firenze, Italy. Telephone 39 055 6233 200; fax 39 055 641124; firenze@scalarchives.com; scalarchives.com.

Requests for permission to reprint text from MoMA publications should be addressed to text_permissions@moma.org.

Related links:
Outside North America: Scala Archives
North America: Art Resource

This record is a work in progress. If you have additional information, or have spotted an error, please send feedback to collection@moma.org.