In this evocation of a scene from the sixteenth-century romance Orlando Furioso, the knight Roger appears on his fiery steed to save the maiden Angelica from a horrible fate: the dragon, with its evil inner glow, is looming at the lower left. Tendrils of threatening mist curling up from below menace the maiden, while angry storm clouds hover above. The figures themselves are small and sketchily rendered; it is the picture's atmospheric effects, conveyed with light-and-dark contrasts and shots of dazzling color—including those of the imposing crag on which Angelica is stranded—that create the high drama of this tension-ridden scene.
The young Redon is said to have watched the clouds scudding over the flat Bordeaux landscape where he was raised and imagined in them the fantastic beings that he would later conjure up in his paintings, drawings, lithographs, and pastels. Roger and Angelica, executed in the last period of his career, when color had bewitched him, exemplifies Redon's consummate ability to imbue his wildly imaginative fantasies with color, light, and shadow, using the mere strokes of a crayon.
Although this work was created in the twentieth century, it reflects the Romanticism of the nineteenth century, in which feeling triumphed over form, and color was the primary vehicle of expression.