Various Artists, Fritz Zeymer, Berthold Löffler, Oskar Kokoschka, Carl Otto Czeschka. Kabarett Fledermaus (Cabaret Fledermaus). 1907
Various Artists with Fritz Zeymer, Berthold Löffler, Oskar Kokoschka, Carl Otto Czeschka

Kabarett Fledermaus (Cabaret Fledermaus)

1907
On view
Author
Peter Altenberg (Prologue)
Collaborating Artist
Fritz Zeymer, Berthold Löffler, Oskar Kokoschka, Carl Otto Czeschka
Medium
Theater program with six line block reproductions (including front and back cover)
Dimensions
page (each): 9 5/8 x 9 1/4" (24.5 x 23.5 cm); overall: 9 5/8 x 9 1/4 x 1/16" (24.4 x 23.5 x 0.2 cm)
Publisher
Wiener Werkstätte, Vienna
Printer
August Chwala, Vienna
Edition
unknown
Credit
Purchased with funds given by Mrs. Henry I. Cobb and Mrs. Melville Wakeman Hall
Object number
709.1993.1-6
Type
Illustrated Book
Department
Drawings and Prints

The program for the first season of the Cabaret Fledermaus in Vienna provides a permanent record of the nightclub's ephemeral entertainments. In October 1907, the Wiener Werkstätte, a cooperative of architects, artists, and designers as well as the preeminent producer of luxury goods and furnishings in the city, opened the nightspot and performing arts space. It was created to dispel boredom with doses of avant-garde theater and poetry readings taken with the latest cocktail creations. As recorded in the program, this mix of high and low culture included a shadow play by the young Expressionist Oskar Kokoschka, music and dance performances, and a parody of a mythological love story.

Designed by Carl Otto Czeschka, this program exemplifies the then-current idea of the Gesamtkunstwerk, or total work of art, in which all components, no matter how humble or disposable, follow the same aesthetic idea. The book's square format, Vienna's favorite symbol of modernity, mirrored the dominant decorative motif throughout the cabaret, while Czeschka's playful marginal decorations suggested the increasingly ornamental style that took hold at the Werkstätte at this time. The flat, stylized patterning of the four illustrations contributed by Oskar Kokoschka, Berthold Löffler, and Fritz Zeymer show the widespread influence of folk sources and the rejection of traditional academic standards in modern Viennese art.

Publication excerpt from Heather Hess, German Expressionist Digital Archive Project, German Expressionism: Works from the Collection. 2011.

Provenance Research Project
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Lure Art Books, San Francisco; sold to The Museum of Modern Art, New York 1993

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Pictured above: Vasily Kandinsky. Panel for Edwin R. Campbell No. 2 (detail). 1914. Oil on canvas, 64 1/8 x 48 3/8" (162.6 x 122.7 cm). Nelson A. Rockefeller Fund (by exchange). © 2009 Artists Rights Society (ARS), New York / ADAGP, Paris

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Image permissions

In order to effectively service requests for images, The Museum of Modern Art entrusts the licensing of images of works of art in its collections to the agencies Scala Archives and Art Resource. As MoMA’s representatives, these agencies supply high-resolution digital image files provided to them directly by the Museum's imaging studios.

All requests to reproduce works of art from MoMA's collection within North America (Canada, U.S., Mexico) should be addressed directly to Art Resource at 536 Broadway, New York, New York 10012. Telephone (212) 505-8700; fax (212) 505-2053; requests@artres.com; artres.com. Requests from all other geographical locations should be addressed directly to Scala Group S.p.A., 62, via Chiantigiana, 50012 Bagno a Ripoli/Firenze, Italy. Telephone 39 055 6233 200; fax 39 055 641124; firenze@scalarchives.com; scalarchives.com.

Requests for permission to reprint text from MoMA publications should be addressed to text_permissions@moma.org.

Related links:
Outside North America: Scala Archives
North America: Art Resource