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Max Beckmann. Descent from the Cross. 1917

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Descent from the Cross

Max Beckmann (German, 1884–1950)

Date:
1917
Medium:
Oil on canvas
Dimensions:
59 1/2 x 50 3/4" (151.2 x 128.9 cm)
Credit Line:
Curt Valentin Bequest
MoMA Number:
328.1955

Collection work meeting criteria specified in Introduction.

The artist, Frankfurt; sold to Georg Hartmann (1870-1954), Frankfurt; returned to the artist [1]; sold to the Städelsches Kunstinstitut and Städtische Galerie, Frankfurt am Main, 1919 [2]; removed as "degenerate art" by the Reich Ministry for Public Enlightenment and Propaganda, October 26, 1936 [3]; on consignment to Karl Buchholz (1901-1992), Berlin, 1938; to Curt Valentin (1902-1954), New York (sold April 21, 1941) [4]; Estate of Curt Valentin, New York, 1954; acquired by The Museum of Modern Art, New York, 1955 (Curt Valentin Bequest).
[1] The painting was first acquired by Georg Hartmann, but then returned to the Beckmann's studio, because it apparently upset Hartmann's wife (see Göpel 192, p. 134).
[2] Purchased from Beckmann under Director Georg Swarzenski in 1919 (Inv. no. SG 291).
[3] See Beschlagnahmeinventar "Entartete Kunst", "Degenerate Art" Research Center, FU Berlin). See Sara Eskilsson Werwigk, "Ein Gemälde geht ins Exil: Auf den Spuren der Kreuzabnahme von Max Beckmann," Uwe Fleckner, ed., Das verfemte Meisterwerk, Berlin: Akademieverlag, 2009, pp. 105-135). EK inventory number: 15933 (Kreuzabnahme). Included in the exhibitions Der Bolschewismus - große antibolschewistische Schau, Deutsches Museum, Munich, November 7, 1936-January 31, 1937; and Entartete Kunst, Munich (July 19-November 30, 1937) and other venues (Berlin, Leipzig, Düsseldorf, Salzburg, Stettin, Weimar, Vienna). See Beschlagnahmeinventar "Entartete Kunst", "Degenerate Art" Research Center, FU Berlin .
[4] Included in the exhibition Landmarks in Modern German Art, Buchholz Gallery, New York, April 2-27, 1940 (no. 1).

Crucifixion [Kreuzigung]
Deposition
[Kreuzabnahme]

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