MoMA.org | MoMA Provenance Research Project

This list of works includes all collection paintings created before 1946 and acquired after 1932, that underwent or could have undergone a change of ownership between 1932 and 1946, and that were, or could have been, in Continental Europe between these dates. (See Introduction.)

The list is arranged alphabetically by artist and chronologically for the works of each artist. For details on, and a reproduction of, a specific work, click the relevant title.

Dates for works are indicated as specifically as they are known. Dates not inscribed on the work by the artist appear in parentheses. For dimensions, height precedes width. The Museum accession number indicates the year in which a work was acquired; for example, 2.50 is the number assigned to the second work acquired in 1950.

Detailed provenance information is currently being added to this site, in installments, as it is converted from museum records into an electronic format, and as it is updated and amended. Successive owners are listed in chronological order. Brackets indicate information that remains tentative.

A-E F-J K-P R-V W-Z

A-E

Jankel Adler
(Polish, 1895-1949. Worked in Germany and Great Britain.)

Two Rabbis. 1942

Yuri Annenkov
(Russian, 1889-1974.)

Relief-Collage. 1919

Jean Arp (Hans Arp)
(French, born Alsace. 1886-1966. Lived in Switzerland 1959-66.)

Collage with Squares Arranged According to the Laws of Chance. (1916-17)
Automatic Drawing. (1917-18 (inscribed 1916))
Squares Arranged According to the Laws of Chance. (1917)
Enak’s Tears (Terrestrial Forms) [ Larmes d’Enak (Formes terrestres) ]. (1917)
Birds in an Aquarium [Oiseaux dans un aquarium]. (c.1920)
Mountain, Table, Anchors, Navel. (1925)
Two Heads [Deux têtes]. (1927)
Leaves and Navels [Feuilles et nombrils]. (1929)
Two Heads [Deux têtes]. (1929)
Man at a Window [Homme à la fenêtre]. (1930)
Leaves and Navels, I [Feuilles et nombrils I]. (1930)
Objects Arranged According to the Law of Chance [Objets placés d’après la loi du hasard ou nombrils]. (1930)
Bell and Navels. (1931)
Constellation. (1932)
Constellation with Five White and Two Black Forms: Variation 2 [Variation 2: Constellation de cinq formes blanches et deux formes noires]. (1932)
Human Concretion. (1935)
Relief. (1938-39, after a relief of 1934-35)
Hand [Main]. (1941-42)
Human Concretion. (Replica of plaster, 4.1937, cast 1949)
Ptolemy. (1953)
Human Lunar Spectral. (cast 1954)
Floral Nude. (1957)
Sculpture of Silence. 1942 (cast 1957)
Silent. 1942 (cast 1958)
The Crystal. (1938-39; cast 1959)
Helmet Head, I [Tête-Heaume, I]. (1959)
Pre-Adamite Doll [Poupée préadamite]. (1964)

Giacomo Balla
(Italian, 1871-1958.)

Street Light [Lampada–Studio di luce]. 1909
Speeding Automobile [Automobile in corsa]. 1912
Swifts: Paths of Movement + Dynamic Sequences [Volo Rondini Grondaia Cielo]. 1913
Circular Planes [Circolpiani]. (1924)

Balthus (Baltusz Klossowski de Rola)
(French, 1908-2001.)

The Street (La rue). 1933
André Derain. 1936
Jean Miro and His Daughter Dolores. 1937-38
The Living Room [Le Salon]. 1942

André Bauchant
(French, 1873–1958.)

The Proclamation of American Independence. 1926
Cleopatra's Barge [Cléopatre allant trouver Antoine à Tarse]. 1939

Willi Baumeister
(German, 1889–1955.)

Figurative with Red Elipse. 1920
Composition. 1922
Tennis Player [Tennis-Spieler]. 1922
African Play, IV. 1942

Max Beckmann
(German, 1884–1950. Worked in Amsterdam 1936–47; in U.S.A. 1947–50.)

The Descent from the Cross [Kreuzabnahme]. 1917
Family Picture [Familienbild]. 1920
Self-Portrait with a Cigarette [Selbstbildnis auf gelben Grund mit Zigarette]. 1923
Departure. (1932-33)
Self-Portrait [Selbstbildnis]. (1936)

Christian Bérard
(French, 1902–1949.)

Jean Cocteau. 1928
Promenade. 1928
On the Beach (Double Self-Portrait). 1933

Eugene Berman
(American, born Russia. 1899–1972. In France 1919–39; in U.S.A. 1939–56; in Italy 1956–72.)

Winter. 1929
The Good Samaritan. 1930
The Cart. 1930
Memory of Ischia. 1931
Sleeping Figures, Statue, Campanile. 1932
The Gates of the City, Nightfall. 1937

Émile Bernard
(French, 1868–1941.)

Iron Bridges at Asnières. 1887

Umberto Boccioni
(Italian, 1882–1916.)

The City Rises [La città che sale / La ville qui monte]. (1910)
The Riot [Baruffa]. (1911 or after)
The Laugh [La risata]. (1911)
Dynamism of a Soccer Player [Dinamismo di un footballer]. (1913)
States of Mind I: The Farewells [Sati d'animo: Gli Addii]. (1911)
States of Mind II: Those Who Go [Sati d'animo: Quelli che vanno]. (1911)
States of Mind III: Those Who Stay [Sati d'animo: Quelli che restano] . (1911)

Camille Bombois
(French, 1883–1970.)

Before Entering the Ring. (1930-35)

Pierre Bonnard
(French, 1867-1947)

Grapes. (1928)
The Breakfast Room [Salle à manger sur le jardin]. (1930-31)
Nude in Bathroom [Le cabinet de toilette]. (1932)
Basket of Fruit Reflected in a Mirror [Corbeille de fruits se reflétant dans une glace de buffet]. (c. 1944-46)

Francisco Borès
(Spanish, 1898–1972. Lived in Paris.)

The Fitting [L'Essayage – Souvenir imaginaire]. 1934

Alexander (Sándor) Bortnyik
(Hungarian, 1893–1976.)

Geometric Forms in Space. 1923

Georges Braque
(French, 1882–1963.)

Landscape at La Ciotat [ Paysage à La Ciotat ]. (summer 1907)
Road near L'Estaque. (summer 1908)
Man with a Guitar. (begin summer 1911; completed early 1912)
Soda [ Verre et pipe Soda ]. (spring 1912)
Guitar [ Guitare et bouteille]. (Summer 1913)
Still Life with Tenora (formerly known as The Clarinet) [La clarinette]. (Summer or fall 1913)
Still Life with Letters [ Verre et bouteille JOH]. (1914)
Yellow Tablecloth [La nappe jaune]. (1935)
Woman with a Mandolin [ Femme à la mandoline ]. 1937

Victor Brauner
(Rumanian, 1903–1966. To Paris 1930.)

Untitled. 1938
Nude and Spectral Still Life [La Vie intérieure]. (1939)
Talisman. 1943
The Snake Charmer [La Psylle miraculeuse]. 1943

Carl Buchheister
(German, 1890–1964.)

Composition Number 27. (1927)

Erich Buchholz
(German, 1891–1972.)

Forces [Kräfte]. 1921

David Burliuk
(American, born Ukraine. 1882–1967.)

Forces of Spring. 1922

Heinrich Campendonk
(German, 1889–1957. To the Netherlands 1933.)

Mystical Crucifixion. (1926-28?)

Carlo Carrà
(Italian, 1881–1966.)

Funeral of the Anarchist Galli [Funeralli dell'anarchico Galli / Funérailles de l'anarchiste Galli]. (1911)
Jolts of a Cab [Sobbalzi di fiacre]. (1911)

Eugène Carrière
(French, 1849–1906.)

Maternity. (c. 1892)

Paul Cézanne
(French, 1839–1906.)

Melting Snow, Fontainebleau [Neige fondante à Fontainebleau]. (c. 1879-80)
L'Estaque. (1879-83)
The Bather [Le Grand Baigneur]. (c. 1885)
Still Life with Apples [Nature morte]. (1895-98)
Turning Road at Montgeroult [Route tournante à Montgeroult]. (1898)
Pines and Rocks (Fontainebleau?) [Pins et rochers (Fontainebleau?)]. (1896-99)
Still Life with Ginger Jar, Sugar Bowl, and Oranges [Nature morte: Pot de gingembre, sucrier et oranges]. (1902-06)
La Château Noir. (1904-06)

Marc Chagall
(French, born Belarus. 1887–1985. In France 1910–14, 1923–41; U.S.A. 1941–48; France 1948–85.)

I and the Village [Moi et le village]. 1911
Calvary. 1912
Birthday [L'Anniversaire]. (1915)
Over Vitebsk [Au dessus de Vitebsk]. 1915-1920 (after a painting of 1914)

Giorgio de Chirico
(Italian, born Greece. 1888–1978. Worked in Paris 1911–15, 1925–39.)

The Anxious Journey [Le voyage émouvant]. 1913
The Nostalgia of the Infinite [La nostalgie de l'infini]. (1912–13?; dated on painting 1911)
Gare Montparnasse (The Melancholy of Departure) [La mélancolie du départ]. 1914
The Song of Love [Le chant d'amour]. (1914)
The Enigma of a Day [L'énigme d'une journée]. 1914
The Serenity of the Scholar [La sérénité du savant]. 1914
The Evil Genius of a King [Le mauvais génie d'un roi]. (1914-15)
The Double Dream of Spring [Le double rêve du printemps]. 1915
Playthings of the Prince [Les jouets du prince]. 1915
The Duo [Les mannequins de la Tour Rose]. 1915
The Seer [Le Vaticinateur]. 1915
The Amusements of a Young Girl [Les projets de la jeune fille]. (1916?)
The Faithful Servitor [Le fidèle serviteur]. (1916 or 17)
Great Metaphysical Interior [Interno metafisico (con sanatorio)]. 1917

Lovis Corinth
(German, 1858–1925.)

Self-Portrait. 1924

Henri-Edmond Cross
(French, 1856–1910.)

The Grape Harvest (Var) [Vendanges (Var)]. 1892

Salvador Dali
(Spanish, 1904–1989. Active in Paris and New York.)

Illuminated Pleasures. (1929)
The Persistence of Memory [Persistance de la mémoire]. 1931
Retrospective Bust of a Woman [Buste de femme rétrospectif]. (1933; some elements reconstructed 1970)
Cavalier of Death. 1934
Untitled (PetitTheâtre). 1934
Portrait of Gala [L'Angélus de Gala]. 1935
Studies of Horsemen. 1936
Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone. 1938

Hilaire-Germain-Edgar Degas
(French, 1834–1917.)

At the Milliner's [Chez la modiste]. (c. 1882)

Robert Delaunay
(French, 1885–1941.)

Windows [Les Fenêtres]. 1912
The Three Windows, the Tower and the Wheel [Les Fenêtres Simultanées; Les trois fenêtres, la tour et la roue]. 1912
Simultaneous Contrasts: Sun and Moon [Soleil, lune, simultané 2]. (1913; dated on painting 1912)

Sonia Delaunay-Terk
(French, born Ukraine. 1885–1979.)

Portuguese Market. 1915

Paul Delvaux
(Belgian, 1897–1994.)

Phases of the Moon [Les Phases de la lune]. 1939

Maurice Denis
(French, 1870–1943.)

The Pitcher. c.1895-1900?
On the Beach of Trestignel. 1898

André Derain
(French, 1880–1954.)

Poplars [Paysage aux peupliers]. (c. 1900)
Fishing Boats, Collioure [Barques de pêche à Collioure]. (1905)
L'Estaque [Paysage à l'Estaque]. (1906)
London Bridge [Le Pont de Londres]. (1906)
Madame Derain in Green [Portrait de Madame Derain]. (1907)
Landscape near Cassis [Paysage aux environs de Cassis]. (1907)
Bathers [Baigneuses]. (1907)
Martigues [Paysage aux Martigues]. (1908-09)
Valley of the Lot at Vers [La Vallée du Lot]. (1912)
Window at Vers [Vers (Lot): Nature morte devant la fenêtre].. (1912)
Still Life with a Blue Hat. (1912)
Italian Woman [Buste de l'Italienne]. (1913)
Head of a Woman [Buste de femme]. (1920)
Torso [Nu assis]. (c. 1921)
Landscape, Provence [Paysage de Provence]. (c. 1926)

Walter Dexel
(German, 1890–1973.)

Figuration 26A. (c. 1926)

Otto Dix
(German, 1891–1969.)

The Nun [Die Nonne]. 1914
Café Couple. 1921
Self-Portrait. 1922
Dr. Mayer-Hermann. 1926
Child with Doll [Nelly mit Puppe]. 1928

Theo van Doesburg (Christian Emil Marie Küpper)
(Dutch, 1883–1931.)

Composition (The Cow). (c. 1917)
Rhythm of a Russian Dance [Rythme d’une danse russe]. 1918
Simultaneous Counter-Composition. (1929-30)
Simultaneous Counter-Composition. 1929

Oscar Dominguez
(French, born Spain. 1906–1957. To Paris 1927.)

Nostalgia of Space [Nostalgie de l'espace]. 1939

Kees van Dongen (Cornelius T.M. van Dongen)
(French, born the Netherlands. 1877–1968. To France 1897.)

Modjesko, Soprano Singer. (1908)

Jean Dubuffet
(French, 1901–1985.)

Grand Jazz Band (New Orleans) from the Marionettes de la ville et de la campagne series. 1944
Childbirth [L'Accouchement] from the Marionettes de la ville et de la campagne series. 1944
The Violinist [Le Violoniste] from the Marionettes de la ville et de la campagne series. 1944
Snack for Two [Casse-croûte à deux] from the Mirobolus, Macadam et Cie/Hautes Pâtes series. (1945)
Wall with Inscriptions [Mur aux inscriptions] from the Walls series. 1945

Marcel Duchamp
(American, born France. 1887–1968. In U.S.A. 1915–18, 1920–23, 1942–68.)

Man Seated by a Window [Homme assis près d’une fenêtre] . (1907)
Landscape. (1908)
Portrait of Yvonne Duchamp. (1907 or 1909)
Laundry Barge [Bateau Lavoir]. 1910
Two Nudes [Deux nus]. 1910
Landscape. 1911
The Passage from Virgin to Bride [Le passage de la vierge à la mariée]. (July-August) 1912
3 Stoppages Étalon. 1913-1914
Network of Stoppages [Réseau de stoppages]. (1914)
To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost and Hour [A regarder (l’autre côté du verre) d’un oeil, de près, pendant presque une heure]. (1918)
Bicycle Wheel [Roue de bicyclette]. (1951, third version, after lost original of 1913)

Raoul Dufy
(French, 1877–1953.)

Window at Nice. (c. 1929)

Lajos D'ebneth
(Hungarian, 1902–1982.)

Composition. 1926

James Ensor
(Belgian, 1860–1949.)

Tribulations of St. Anthony [Les tribulations de St. Antoine]. 1887
Masks Confronting Death [Masques devant la mort]. 1888

Max Ernst
(French, born Germany. 1891–1976. To France 1922; in U.S.A. 1941–50.)

Trophy, Hypertrophied. 1919
Farewell My Beautiful Land of Marie Laurencin. Help! Help! [Adieu mon beau pays de Marie Laurencin. Hilfe! Hilfe!]. 1919
Here Everything Is Still Floating [Le vapeur et le poisson]. (1920)
The Horse, He's Sick [Un peu malade, le cheval]. (1920)
The Hat Makes the Man. (1920)
The Little Tear Gland that Says Tic Tac [La petite fistule lacrimale qui dit tic tac]. 1920
Stratified rocks, nature's gift of gneiss lava iceland moss 2 kinds of lungwort 2 kinds of ruptures of the perineum growths of the heart (b) the same thing in a well-polished little box somewhat more expensive. (1920)
The gramineous bicycle garnished with bells the dappled fire damps and the echinoderms bending the spine to look for caresses. (1920 or 1921)
Micro Painting. (n.d.)
Two Children are Threatened by a Nightingale. (1924)
Woman, Old Man and Flower [Weib, Greis und Blume]. (1923-24; repainted in 1924, the original having been destroyed)
Forest and Sun. 1925
The Sea. (1928)
Rendez-Vous of Friends – The Friends Become Flowers. 1928
Birds above the Forest. (1929)
Loplop Introduces Members of the Surrealist Group. (1931)
Loplop and the Butterflies. (1931 or 1933)
The Blind Swimmer. 1934
The Nymph Echo [La Nymphe Écho]. 1936
Alice in 1941. 1941
Napoleon in the Wilderness. (1941)

Jean Éve
(French, 1900–1968.)

The Cathedral at Mantes. 1930

Alexandra Exter
(Russian, 1882–1949. To France 1924.)

Cubist Nude/Theatrical Composition. (n.d.)
Construction. (1922-23)

F-J

Jean Fautrier
(French, 1898–1964.)

Flowers. (c. 1927)

Lyonel Feininger
(American, 1871–1956. In Germany 1887–1936; returned to U.S.A. 1937.)

Uprising [Émeute]. 1910
The Disparagers . 1911
Viaduct. 1920
The Steamer Odin, II. 1927
Ruin by the Sea [ Ruine am Meere ]. 1930
Manhattan, I. 1940

Otto Freundlich
(German, 1878–1943.)

Composition. 1930
The Unity of Life and Death. (1936-38)

Othon Friesz
(French, 1879–1949.)

Landscape with Figures (Bathers). 1909
The Garden. 1930

Paul Gauguin
(French, 1848–1903. In Tahiti and the Marquesas Islands, 1891–93, 1895–1903.)

Still Life with Three Puppies. 1888
Washerwomen [Les Lavandières à Arles]. (1888)
The Moon and the Earth [Hina Te Fatou]. 1893

Augusto Giacometti
(Swiss, 1877–1947.)

Summer Night. 1917

Vincent van Gogh
(Dutch, 1853–1890. To France 1886.)

The Starry Night [Nuit étoilée]. (1889)
Portrait of Joseph Roulin. (April 1889)
The Olive Trees [Les oliviers]. (1889)

Natalie Sergeevna Gontcharova
(Russian, 1881–1962. To Paris 1915.)

Landscape, 47. 1912
Rayonism, Blue-Green Forest. (1913; dated 1911)

Juan Gris (José Victoriano González)
(Spanish, 1887–1927. To France 1906.)

Still Life. 1911
Guitar and Flowers. (1912)
Grapes and Wine. October 1913
Guitar, Bottle, and Glass. (1914)
Breakfast. (1914)
The Sideboard. (1917)

George Grosz
(American, 1893–1959. Born and died in Germany. In U.S.A. 1932–59.)

Explosion [Die Explosion]. (1917)
Metropolis. 1917
Republican Automatons [Republikanische Automaten] . (1920)
The Engineer Heartfield [Der Montreur John Heartfield]. (1920)
The Poet Max Herrmann-Neisse. 1927
Self-Portrait with a Model. 1928
Punishment. (1934)

Jean Hélion
(French, 1904–1987.)

Equilibrium. 1934
Composition. 1936
Composition. (1938)

Auguste Herbin
(French, 1882–1960.)

Dessert. (1912-13?)
Untitled (Landscape). (1924)
Synchromy in Dark Blue [Synchromie en bleu foncé]. 1941

Carl Hofer
(German, 1878–1955.)

Four Figures. 1910
Man with a Melon [ Mann mit Melone ]. (1926)

Vilmos Huszar
(Born Hungary, 1884–1960. To the Netherlands 1905.)

Composition with Female Figure. 1918

Johannes Itten
(Swiss, 1888–1967.)

Space Composition, I [Raum Komposition I]. (1944)
Space Composition, II [Raum Komposition II]. (1944)

Alexi Jawlensky
(Russian, 1864–1941. Worked in Germany and Switzerland.)

Head. (c. 1910?)

K-P

Vasily Kandinsky
(French, born Russia. 1866–1944. Naturalized German 1928, French 1939.)

Picture with an Archer. (1909)
Church at Murnau [Kirche in Murnau]. (1909)
Panel for Edwin R. Campbell No. 1. 1914
Panel for Edwin R. Campbell No. 2. 1914
Panel for Edwin R. Campbell No. 3. 1914
Panel for Edwin R. Campbell No. 4. 1914
Blue [Blau] . 1927
Lightly Touching [Leicht Berührt]. 1931
Soft Pressure [Sanfter Nachdruck]. 1931
White–Soft and Hard [Weiss – Weich und Hart]. March 1932

Ernst Ludwig Kirchner (German, 1880–1938.)

Girl on a Divan [Madchen auf dem Diwan]. 1906
Street, Dresden. (1908; dated on painting 1907)
Street, Berlin [Strassenszene]. (1913)
Sand Hills in Engadine. (1917-18)

Paul Klee (German, 1879–1940. Born and died in Switzerland.)

Still Life with Four Apples. (1909)
Introducing the Miracle [Vorführung des Wunders]. 1916/54
The Angler [Der Angler]. 1921/140
Vocal Fabric of the Singer Rosa Silber [Das Vokaltuch der Kammersängerin Rosa Silber]. (1922/126)
Dying Plants [Sterbende Pflanzen]. 1922/82
The Twittering Machine [Die Zwitscher-Maschine]. 1922/151
Actor's Mask [Schauspielermaske]. 1924/252
Around the Fish [Um den Fisch]. 1926/C4
Pastoral [Pastorale]. 1927/K10
Portrait of an Acrobat [Artistenbildnis]. 1927/K3
Gifts for I [Gabe für I]. 1928/V2
Cat and Bird [Katze und Vogel]. 1928/Qu3
Fire at Evening [Feuer Abends]. 1929/95(S5)
The Mocker Mocked [Oder der verspottete Spötter]. (1930)
In the Grass [Im Gras]. 1930/18
Castle Garden [Schlossgarten]. (1931/152 [R12])
Equals Infinity [Gleich Unendlich]. 1932/X15
Mask of Fear [Maske Furcht]. (1932/286[Y6])

Gustav Klimt (Austrian, 1862–1918.)

The Park. (1910 or earlier)
Hope, II [Die Hoffnung]. (1907-08)

Kliun (Ivan Kliunkov) (Russian, 1873–1942.)

Suprematism. (1916)

Oskar Kokoschka (Austrian, 1886–1980. In Dresden, 1917–1923. Traveled extensively 1923–1931. In Vienna, 1931–1934. In Prague, 1934–1938. Naturalized Czech citizen 1935. In England, 1938–1953. Naturalized British citizen 1947. Resumed Austrian citizenship in 1975. Died in Switzerland 1980.)

Hans Tietze and Erica Tietze-Conrat. (1909)
Doctor Emma Veronika Sanders. (1909)
Self-Portrait [Selbstbildnis]. (1913)

Frantisek Kupka (Czech, 1871–1957. To France 1895.)

Girl with a Ball . (c.1908)
The First Step[Le premier pas]. (1910-13?; dated on painting 1909)
Mme Kupka Among Verticals [ Mme Kupka en verticales]. (1910-11)
The Musician Follot. (1911?; dated on painting 1910)
Oval Mirror. (1911; dated on painting 1910)
Red and Blue Disks [Disques rouges et bleus]. (1911?; dated on painting 1911-12)
Vertical Planes (study). (1912?; dated on painting 1911)
Vertical and Diagonal Planes. (1913-14)

Roger de La Fresnaye (French, 1885–1925.)

The Conquest of the Air. [La conquête de l'air]. 1913

Mikhail Larionov (Russian, 1881–1964. To Paris 1915.)

Rayonist Composition: Domination of Red. (1912-13; dated on painting 1911)
Rayonist Composition. (c. 1912-13)

Henri Laurens (French, 1885–1954.)

Bowl of Fruit [Le Compotier]. (1922)

Bart van der Leck (Dutch, 1876–1958.)

Abstract Composition. 1927

Le Corbusier (Charles-Édouard Jeanneret) (French, born Switzerland. 1887–1965. To Paris 1917.)

Still Life. 1920

Henri Victor Gabriel Le Fauconnier (French, 1881–1946.)

The Huntsman. (1912)

Fernand Léger (French, 1881–1955. In U.S.A. 1940–45.)

Bridge [Le Pont]. (1908?)
Contrast of Forms [Contraste de formes]. 1913
Exit the Ballets Russes [L'escalier]. 1914
Propellers [Les hélices]. 1918
Bargeman [Le marinier]. (1918)
The City [La ville]. 1919
Three Women [Le Grand Déjeuner]. 1921
Woman with a Book [La femme au livre]. 1923
Mural Painting [Peinture murale]. 1924
The Baluster [Le balustre]. 1925
The Mirror [Le Miroir]. 1925
Umbrella and Bowler [Le parapluie]. 1926
The Divers, II [Les Plongeurs]. 1941-42
The Three Musicians [Les trois musiciens]. 1944 (after a drawing of 1924-25; dated on canvas 24-44)
Big Julie [La Grande Julie]. 1945

Leonid (Leonid Berman) (American, born Russia. 1896–1976. Worked in France. To U.S.A. 1946.)

The Quarriers [Les Carriers]. (1930)
Shrimp Fishermen. 1937
Mussel Gatherers at High Tide [Les Bouchots a Marée Haute]. 1937

Stanislao Lepri (Italian, 1905-1980.)

Banquet. 1945

El Lissitzky (Lasar Markovich Lissitzky) (Russian, 1890–1941. In Germany 1921–23, 1925–28.)

Proun 19D. (1922?)
Composition. 1922

Jean Lurçat (French, 1892–1966.)

Enchanted Isle. (c. 1928)

August Macke (German, 1887–1914.)

Lady in a Park [Frau mit Sonnenschirm und karierten Handschuhen]. 1914

René Magritte (Belgian, 1898–1967.)

The Menaced Assassin [L'Assassin menacé]. (1926)
The False Mirror [Le Faux Miroir]. (1928)
The Palace of Curtains, III [Le Palais des rideaux (III)]. (1928-29)
Portrait [Le Portrait]. (1935)

Kazimir Malevich (Russian, born Ukraine. 1878–1935.)

Woman with Water Pails: Dynamic Arrangement. (1912-13; 1912)
Samovar. (1913)
Private of the First Division. 1914
Suprematist Composition: Airplane Flying. (1915; dated 1914)
Painterly Realism. Boy with Knapsack – Color Masses in the Fourth Dimension. (1915)
Suprematist Painting. (1916-17)
Suprematist Composition: White on White. (1918)

Man Ray (Emmanuel Rudnitsky) (American, 1890–1976. Lived in Paris, 1921–1940 and again after 1951.)

The Rope Dancer Accompanies Herself with Her Shadows. 1916
Gift [Cadeau]. 1958
Indestructible Object [Object Indestructible]. 1964 (replica of 1923 original)
Emak Bakia. 1962 (replica of 1926 original)

Alfred Manessier (French, 1911–1993.)

Figure of Piety [Grande figure de pitié]. 1944-45

Paul (Pavel Monsurov) Mansouroff (Russian, 1896–1984.)

Composition 191. (1918)

Franz Marc (German, 1880–1916.)

The World Cow [Die Weltenkuh]. (1913)

André Marchand (French, 1907-1997.)

The Knife. (n.d.)

André Masson (French, 1896–1987. In U.S.A. 1941–45.)

Card Trick [Le Tour de cartes]. (1923)
Birth of Birds. (c. 1925)
Furious Suns. 1925
Battle of Fishes. (1926)
Study for Battle of Fishes. (1927)
Figure. (1926-27)
Animals Devouring Themselves. (1929)
Prisoner of the Mirror: Transfiguring your Death. (1939)
Myself Drawing Dante. 1940
Street Singer [ Chanteuse des rues ]. 1941
Meditation on an Oak Leaf. 1942
Pasiphaë. (1942)
Andromeda. (1943)
The Kill. [La Curée]. (1944)
Werewolf. (1944)
Pasiphaë. 1945

Henri Matisse (French, 1869–1954.)

Lemons and Bottle of Dutch Gin [Les citrons et la bouteille de Schiedam]. Early 1896
Still Life. (early 1899)
Male Model (Bevilacqua) [L’homme nu]. (1900)
Study for Luxe, Calme et Volupté. (1904)
Landscape at Collioure. (1905)
Music (Sketch) [La Musique (esquisse)]. (June-July 1907)
Dance (I) [La dance (I)]. (early 1909)
Bather [Baigneuse]. (summer 1909)
Still Life with Aubergines [Nature morte aux aubergines]. (Collioure, summer 1911)
The Red Studio [L'Atelier rouge; Le panneau rouge]. (1911)
Moroccan Garden [Les Pervenches / Jardin marocain]. 1912
Goldfish and Sculpture [Poissons rouges et sculpture]. (1912)
The Blue Window [La fenêtre bleue; La glace sans tain]. (Summer 1913)
Woman on a High Stool (Germaine Raynal) [Femme au tabouret]. (early 1914)
View of Notre-Dame [Une vue de Notre-Dame]. spring 1914
Goldfish and Palette [Poissons rouges et palette]. (autumn 1914)
Still Life after Jan Davidz de Heem’s “La desserte” [Nature morte d’après "La desserte" de Jan Davidsz de Heem]. autumn 1915
The Yellow Curtain [Le Rideau jaune]. (c. 1915)
The Moroccans [Les Marocains]. Issy-les-Moulineaux. (late 1915 - autumn 1916)
Gourds [Les coloquintes]. (1915-16; dated 1916)
Piano Lesson [La leçon de piano]. (late summer 1916)
The Rose Marble Table [La table de marbre rose]. (summer 1917)
Interior with a Violin Case [Intérieur à la boîte à violon]. (winter 1918-19)

Mikhail Matiushin (Russian, 1861–1934.)

Color in Movement. (c. 1920)

Jean Metzinger (French, 1883–1956.)

Landscape. (1912-14?)
Still Life with Lamp. (1916)

Joan Miró (Spanish, 1893–1983. In Paris, Montroig and Barcelona, 1920–39.)

Portrait of E. C. Ricart. [Barcelona], (winter or early spring 1917)
Still Life - Glove and Newspaper (Table with Glove) [Nature morte - Le gant et le journal]. Paris, (February-March) 1921
Still Life I (The Ear of Grain) [Nature morte I]. Montroig and Paris, (July) 1922 - (spring) 1923
Still Life II (The Carbide Lamp) [Nature morte II]. (July) 1922 - (spring) 1923
The Hunter (Catalan Landscape) [Paysage catalan]. Montroig, (July) 1923 - (winter) 1924
The Birth of the World. (late summer - fall) 1925
Person Throwing a Stone at a Bird. (mid-August - December) 1926
Dutch Interior (I) [Intérieur hollandais]. (July - December) 1928
Portrait of Mistress Mills in 1750 [Portrait de Mistress Mills en 1750]. (winter - spring) 1929
Collage. (late July - early October); summer 1929
Relief Construction. 1930
Object. (mid-summer - mid-fall) 1931
Bather [Baigneuse]. [Montroig], October 1932
Painting (Composition). Barcelona, June 13, 1933
Hirondelle – Amour (Tapestry Cartoon). [Barcelona, late fall 1933 - winter 1934]
Collage. January 20, 1934
Woman (The Opera Singer) [Femme]. Montroig, October 1934
Rope and People I [Corde et personnages]. March 27, 1935
Still Life with Old Shoe [Nature morte aux vieux souliers]. Paris, January 24 - May 29, 1937
Self-Portrait I [Autoportrait I]. Paris, (October) 1937 - (March) 1938
The Escape Ladder [L'échelle de l'évasion]. Varengeville, January 31, 1940
The Beautiful Bird Revealing the Unknown to a Pair of Lovers [Le bel oiseau déchiffrant l'inconnu au couple d'amoureux]. July 23, 1941

Amedeo Modigliani (Italian, 1884–1920. To France 1906.)

Anna Zborowska. (1917)
Caryatid [Cariatide]. (c. 1914)
Head. (1915)
Reclining Nude [Grand nu couché]. (c. 1919)

László Moholy-Nagy (American, born Hungary. 1895–1946. In Germany 1921–34; U.S.A. 1937–46.)

Yellow Circle [Gelber Kreis]. (1921)
Nickel Construction . (1921)
Telephone Picture EM 2 [Telephonbild]. (1922)
Telephone Picture EM 3 [Telephonbild]. (1922)
Q 1 Suprematistic. 1923
Z II. 1925
Space Modulator L3. (1936)
Untitled. 1942
Double Loop. 1946

Oskar Moll (German, 1875-1947.)

Snow Landscape with Red Bridge. 1942

Piet Mondrian (Dutch, 1872–1944. Worked in Paris 1912–14, 1919–38; in London 1938–1940; in New York 1940–44.)

Mill by the Water. (c. 1905)
Red Amaryllis with Blue Background. (c. 1907)
Dunes and Sea [Duinen en Zee]. (1909-10)
Color Planes in Oval. (1913-14)
Composition in Brown and Gray. (1913-14)
Pier and Ocean. 1914
Composition, V. 1914
Composition with Color Planes, V. 1917
Composition C. 1920
Composition. 1921
Painting, I [Tableau I]. 1926
Composition, II. (1929; original inscription "P.M.29" partly obliterated; mistakenly repainted "P.M.25" by Mondrian when he restored the painting in March 1942)
Composition. 1933
Composition in White, Black, and Red. 1936
Composition in Yellow, Blue, and White, I. 1937
Composition in Red, Blue, and Yellow. 1937-42
Trafalgar Square. 1939-43
Broadway Boogie Woogie. 1942-43

Claude Monet (French, 1840–1926.)

On the Cliffs at Pourville, Clear Weather [Sur la falaise de Pourville, temps clair]. (1882)
Poplars at Giverny, Sunrise [Les Peupliers à Giverny]. (1888)
Water Lilies [Nymphéas] . (c. 1920)
Water Lilies [Nymphéas] . (c. 1920)
The Japanese Footbridge. (c. 1920-22)
Agapanthus. (1918-26)

Maximilian (Max Oppenheimer) Mopp
(American, born Austria. 1885–1954. To U.S.A. 1939.)

The World War [Der Weltkrieg]. (1916)

Giorgio Morandi (Italian, 1890–1964.)

Still Life. 1916
Still Life. 1938

Otto Mueller (German, 1874–1930.)

Bathers [Landschaft mit gelben Akten]. (c. 1919)

Edvard Munch (Norwegian, 1863–1944.)

The Storm [Storm]. 1893

Gabriele Münter (German, 1877–1962.)

Interior. 1908

Emil Nolde (German, born North Schleswig, Germany, later part of Denmark. 1867–1956. Worked in Germany.)

Christ Among the Children [Christus und die Kinder]. (1910)
Russian Peasants [Zwei Russen]. (1915)
Flowers [Blaue und Lila Blumen]. (c. 1915?)

Richard Oelze (German, 1900–1981.)

Expectation [Erwartung]. 1935-36

Meret Oppenheim (Swiss, born Berlin. 1913–1985.)

Red Head, Blue Body. 1936

Amédée Ozenfant (French, 1886–1966. In U.S.A. 1938–55.)

The Vases [Les Vases; Dorique]. 1925

Wolfgang Paalen (Austrian, 1905–1959. Worked in Paris and Mexico.)

Study for Totem Landscape of My Childhood. 1937

Ivo Pannaggi (Italian, 1901-1981. Lived in Germany and Sweden.)

My Mother Reading the Newspaper. (c. 1922)

Jules Pascin (American, born Bulgaria. 1885–1930. Worked in Europe and North Africa. In U.S.A., Cuba and Mexico 1914–20. Died in Paris.)

Socrates and His Disciples Mocked by Courtesans. (1921)
Reclining Model. (c. 1925)

László Peri (Hungarian, 1889–1967. Worked in Germany 1921–33. To London 1933.)

In Front of the Table. (1922)

Antoine Pevsner (French, born Russia. 1886-1962. To Paris 1923.)

Abstract Forms. 1913? (1923?)
Cork Bas-Relief. (1923)
The Eye. 1923

Dominique-Paul Peyronnet (French, 1872–1943.)

The Ferryman of the Moselle. (c. 1934)

Francis Picabia (French, 1879–1953. Active in New York and Barcelona, 1913–17.)

The Spring [La Source]. (June-September) 1912
Dances at the Spring [Danses à la source]. (June-September) 1912
Tarentelle. 1912
I See Again in Memory My Dear Udnie [Je revois en souvenir ma chère Udnie]. (1914, perhaps begun 1913)
New York. 1913
Comic Wedlock [Mariage comique]. (c. June-July) 1914
This Has to Do with Me [C'est de moi qu'il s'agit]. (c. June-July) 1914
Take Me There [M'amenez-y]. (1919-20)
Conversation II. (c. 1922)
Portrait of a Couple: Le Cerisier [portrait d'un couple]. (c. 1942-43)