9,415 Artists and 56,659 Works Online

Choose your search filter(s) from the categories on the right, and then click Search.

You may select multiple filters.

Browse Artist Index »

Browse Art Terms Index »

White Gray Black

Search Results

Showing 1 of 1
On view  |  Painting and Sculpture II, Gallery 15, Floor 4

Louise Bourgeois. Quarantania, I. 1947-53; reassembled by the artist 1981

  • 1
  • 2
Add to My Collection

Louise Bourgeois (American, born France. 1911–2010)

Quarantania, I

1947-53; reassembled by the artist 1981
Painted wood on wood base
6' 9 1/4" (206.4 cm) high, including base 6 x 27 1/4 x 27" (15.2 x 69.1 x 68.6 cm)
Credit Line:
Gift of Ruth Stephan Franklin
MoMA Number:
© 2015 The Easton Foundation/Licensed by VAGA, NY
Audio Program excerpt

MoMA Audio: Collection

, 2008

Curator, Deborah Wye: Louise Bourgeois did these wooden totem-like figures early on in her career. In this piece, she's brought together some of those individual pieces on a single base.

The sculptures were really meant to represent friends and family that she had left behind when she left Paris and moved to the United States, but also her family at this time, with she and her husband and three small boys. So those five elements are very important to her. Also, the figure in the middle has three appendages attached to it. And this piece, when it was shown by itself was called Woman with Packages. And she says it really represents her three little boys who she was responsible for, and she felt were always attached to her in one way or another.

It's made out of a very light wood called balsa wood, and the artist chose that because it was very easy to carve, and it was very easy to carry around. One thing, though, is that because it's so soft as wood, there's lots of little indentations and creases and little chips and abrasions that you notice in the wood when you look closely at it. But I feel that it gives you the sense that this is a very homemade work of art.

What she's done here is set up a little theater. These people are enacting a little drama. And even though Louise has one idea about her family, anyone looking at it can, in their imagination, come up with another drama. Because it's really about a more universal drama than that.

Share by E-mail
Share by Text Message