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On view  |  Painting and Sculpture I, Gallery 10, Floor 5

René Magritte. The Menaced Assassin. Brussels, 1927

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René Magritte (Belgian, 1898–1967)

The Menaced Assassin

Brussels, 1927
Oil on canvas
59 1/4" x 6' 4 7/8" (150.4 x 195.2 cm)
Credit Line:
Kay Sage Tanguy Fund
MoMA Number:
© 2015 C. Herscovici, Brussels / Artists Rights Society (ARS), New York
Audio Program excerpt

MoMA Audio: Collection

, 2008

Curator, Anne Umland: The title of this work, The Menaced Assassin, provides one enigmatic clue into the possible meaning or meanings of this monumental work executed by the Belgian surrealist, René Magritte.

You see a space that is, in fact, comprised of three distinct parts. A sort of perspective from a voyeur outside, within which two bowler-hatted impassive men lurk, one with a cudgel in his hand on the left, and the other with a net. These figures, in fact, closely resemble photographs of Magritte himself this marks the first appearance of figures like this in Magritte's work. But they would go on to become stock personas in his art.

And then as you enter into this deep space with its peculiarly tilting floor your eye drawn into the center you encounter the figure on the right of another suited man, apparently listening to music on an old-fashioned phonograph, oblivious, so it seems, to what lies behind him. This nude female corpse, with what looks to be a severed head, blood pouring from her mouth.

Magritte was known to be fascinated with the popular cinema, and with detective thrillers. And so it's another way of thinking about Magritte's ambition to create an immersive world akin in some way to cinema, and to thinking of the canvas as a projection screen for these fantastical narratives and mysterious scenes.

What he presents us with is this mystery that will never be solved, and that has fascinated generations of people now from the moment of its first appearance in 1927.

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