THE COLLECTION
Jean Tinguely (Swiss, 1925–1991)
Fragment from Homage to New York
- Date:
- 1960
- Medium:
- Painted metal, fabric, tape, wood, and rubber tires
- Dimensions:
- 6' 8 1/4" x 29 5/8" x 7' 3 7/8" (203.7 x 75.1 x 223.2 cm)
- Credit Line:
- Gift of the artist
- MoMA Number:
- 227.1968
- Copyright:
- © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris
2011
This is one piece of what the artist called a “self-constructing and self-destroying work of art,” composed of bicycle wheels, motors, a piano, an addressograph, a go-cart, a bathtub, and other cast-off objects. Twenty-three feet long, twenty-seven feet high, and painted white, the machine was set in motion on March 18, 1960, before an audience in the Museum’s sculpture garden.
During its brief operation, a meteorological trial balloon inflated and burst, colored smoke was discharged, paintings were made and destroyed, and bottles crashed to the ground. A player piano, metal drums, a radio broadcast, a recording of the artist explaining his work, and a competing shrill voice correcting him provided the cacophonic sound track to the machine’s self-destruction—until it was stopped short by the fire department.
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). For additional information about using content from MoMA.org, please visit About this Site (www.moma.org/site).
© Copyright 2011 The Museum of Modern Art
