THE COLLECTION
Jasper Johns (American, born 1930)
Target with Four Faces
- Date:
- 1955
- Medium:
- Encaustic on newspaper and cloth over canvas surmounted by four tinted-plaster faces in wood box with hinged front
- Dimensions:
- Overall, with box open, 33 5/8 x 26 x 3" (85.3 x 66 x 7.6 cm); canvas 26 x 26" (66 x 66 cm); box (closed) 3 3/4 x 26 x 3 1/2" (9.5 x 66 x 8.8 cm)
- Credit Line:
- Gift of Mr. and Mrs. Robert C. Scull
- MoMA Number:
- 8.1958
- Copyright:
- © 2013 Jasper Johns / Licensed by VAGA, New York, NY
2011
In the mid-1950s Johns incorporated symbols such as numbers, flags, maps, and targets into his paintings. Here, he transforms the familiar image of a target into a tangible object by building up the surface with wax encaustic. As a result, the concentric circles have become less precise and more tactile. Above the target Johns has added four cropped and eyeless
faces, plaster casts taken from a single model over a period of several months. Their sculptural presence reinforces the objectness of the painting, particularly as the faces may be shut away in their niches behind a hinged wooden door.
2009
For Johns the common shooting target is one of the many "things the mind already knows." Using familiar objects "gives me room to work on other levels," he has explained. Though the target is closely linked with the acts of looking and aiming, the concentric circles of Johns's version are obscured and the surface made tactile with encaustic—pigment mixed with beeswax—on collage. Mounted above the target, four plaster casts taken from a single model over a period of several months are arranged in nonsequential order. A hinged wooden lid offers the option of shutting away the small niches that hold these cropped, eyeless faces.
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