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Lithography

Bibliography

Source: Oxford University Press

J. Pennell and E. R. Pennell. Lithography and Lithographers: Some Chapters in the History of the Art (London, 1898, 2/1915)

C. Kampmann. Die Literatur der Lithographie von 1798–1898 (Vienna, 1899)

C. Wagner. Die Geschichte der Lithographie (Leipzig, 1914)

M. J. Friedländer. Die Lithographie (Berlin, 1922)

J. Adhémar. L’Estampe française: La Lithographie française au XIXe siècle (Paris, 1944)

L. Lang and J. E. Bersier. La Lithographie en France, 3 vols (Mulhouse, 1946–52)

One Hundred and Fifty Years of Lithography (exh. cat. by G. von Groschwitz, Cincinnati, OH, A. Mus., 1948)

Bild von Stein: Die Entwicklung der Lithographie von Senefelder bis heute (exh. cat., Munich, Staatl. Graph. Samml., 1961)

W. Weber. Saxa loquuntur, Steine reden: Geschichte der Lithographie (Heidelberg and Berlin, 1961); Eng. trans. as A History of Lithography (London, 1966; Fr. trans., Paris, 1967)

F. H. Man. Artists’ Lithographs: A World History from Senefelder to the Present Day (London and New York, 1970)

M. Twyman. Lithography, 1800–1850: The Techniques of Drawing on Stone in England and France and their Application in Works of Topography (London, New York and Toronto, 1970) [the most thorough and reliable account in Eng.]

M. Knigin and M. Zimiles. The Contemporary Lithographic Workshop around the World (New York, 1974)

Tamarind Technical Papers (Albuquerque, 1974–8); Tamarind Papers (Albuquerque, 1978–) [hist., crit. & tech. articles on prts, esp. lithog.]

La Pierre parle: Lithography in France, 1848–1900 (exh. cat. by D. Druick and P. Zegers, Ottawa, N.G., 1981)

D. Porzio, ed.. La Litografia: Duecento anni di storia, arte e tecnica (Milan, 1982, 2/1983; Fr. and Eng. trans., both 1983)

La Lithographie en France des origines à nos jours (exh. cat. by B. Bouret and C. Bouret; Paris, Fond. N. A. Graph. & Plast., [1984])

P. Gilmour, ed.. Lasting Impressions: Lithography as Art (London, Philadelphia and Canberra, 1988) [comprehensive bibliography; new research on C. Hullmandel & A. Clot; essays on Ger., Fr., Amer. & Austral. lithog.]

W. D. Richmond. The Grammar of Lithography: A Practical Guide for the Artist and Printer in Commercial and Artistic Lithography and Chromo-lithography, Zincography, Photo-lithography and Lithographic Machine Printing (London, 1878, 2/1880, 12/c. 1901); Ger. trans. by C. A. Franke (Leipzig, 1880)

J. Schnauss. Der Lichtdruck und die Photolithographie (Düsseldorf, 1879, 3/1886); Eng. trans. as Collotype and Photo-lithography Practically Elaborated ([?London], 1889)

W. T. Wilkinson. Photo-mechanical Processes: A Practical Guide to Photo-zincography, Photo-lithography and Collotype (London, 1892, 2/1897)

D. Cumming. Handbook of Lithography: A Practical Treatise (London, 1904, 2/1919, 3/1932)

E. de Crauzat. Handbook of Lithography (London, 1905/R 1919; rev. 1932)

B. Brown. Lithography (New York, 1923)

O. Kruger. Die lithographischen Verfahren und der Offsetdruck (Leipzig, 1929)

B. Brown. Lithography for Artists (Chicago, [1930])

C. A. Seward. Metal Plate Lithography for Artists and Draftsmen (New York, 1931)

A. S. Hartrick. Lithography as a Fine Art (London, 1932)

S. Wengenroth. Making a Lithograph (London, 1936)

W. Söderstrom. The Lithographer’s Manual (New York, 1937)

L. Barrett. Techniques of Stone Preparation (Colorado Springs, 1940)

G. Arnold. Creative Lithography and How to Do it (New York, 1941)

T. E. Griffits. The Technique of Colour Printing by Lithography (London, [1944])

A. Dehn and L. Barrett. How to Draw and Print Lithographs (New York, 1950)

P. J. Hartsuch. Chemistry of Lithography (New York, 1952)

L. E. Lawson. Offset Lithography (London, 1963)

H. Cliffe. Lithography (New York, 1965)

M. Twyman. ‘The Tinted Lithograph’, J. Prtg Hist. Soc., i (1965), pp. 39–56

P. Weaver. The Technique of Lithography (New York, 1965)

E. Weddige. Lithography (Scranton, NJ, 1966)

M. Twyman. ‘The Lithographic Hand Press, 1796–1850’, J. Prtg Hist. Soc., iii (1967), pp. 3–50

M. Twyman. ‘Lithographic Stone and the Printing Trade in the Nineteenth Century’, J. Prtg Hist. Soc., viii (1972), pp. 1–41

R. Vicary. The Thames & Hudson Manual of Advanced Lithography (London, 1976)

M. Hunter. The New Lithography: A Complete Guide for Artists and Printers in the Use of Modern Translucent Materials for the Creation of Hand-drawn Original Fine-art Lithographic Prints (New York, 1984)

H. Bankes. Lithography; or, The Art of Making Drawings on Stone, for the Purpose of Being Multiplied by Printing (Bath, 1813/R 1816, 2/1816); ed. M. Twyman as Henry Bankes’s Treatise on Lithography (London, 1976)

[G. Engelmann]. Rapport de la lithographie, et particulièrement sur un recueil de dessins lithographies par M. Engelmann (Paris, 1816)

[F.] M[airet]. Notice sur la lithographie, ou L’art d’imprimer sur pierre (Dijon, 1818)

A. Senefelder. Vollständiges Lehrbuch der Steindruckerey enthaltend eine richtige und deutliche Anweisung zu den verschiedenen Manipulations-Arten derselben in allen ihren Zweigen und Manieren, belegt mit den nöthigen Musterblättern, nebst einer vorangehenden ausführlichen Geschichte dieser Kunst von ihrem Entstehen bis auf die gegenwartige Zeit, 2 vols (Munich and Vienna, 1818, 2/1821, 3/1827); Eng. trans. as A Complete Course of Lithography (London, 1819); Fr. trans. as L’Art de la lithographie (Paris, 1819)

G. P[eignot]. Essai historique sur la lithographie (Paris, 1819)

A. Raucourt (de Charleville). Mémoire sur les expériences lithographiques faites à l’Ecole Royale des Ponts et Chaussées de France; ou Manuel théorique et pratique de dessinateur et de l’imprimeur lithographes (Toulon, 1819; Eng. trans. by C. Hullmandel as Manual of Lithography: Memoir on the Lithographic Experiments Made in Paris at the Royal School of the Roads and Bridges (London, 1820, 2/1821))

F. M. Ferchl. ‘Übersicht der einzig bestehenden, vollständigen Incunabeln-Sammlung der Lithographie und der übrigen Senefedler’schen Erfindungen als Metallographie, Papyrographie, Papierstereotypen und Volgemälde-Druck (ohne Presse)’, Oberbayer. Archv Vaterländ. Gesch., xvi (1856), pp. 115–203

F. M. Ferchl. Geschichte der Errichtung der ersten lithographischen Kunstanstalt bei der Feiertagsschule für Künstler und Techniker in München (Munich, 1862)

W. Gräff. Die Einführung der Lithographie in Frankreich: Eine kunstgeschichtliche Untersuchung (Heidelberg, 1906)

E. Bouvy. ‘L’Imprimeur Gaulon et les origines de la lithographie à Bordeaux’, Rev. Philom. Bordeaux & Sud-Ouest (1917), pp. 241–55

H. Schwarz. Die Anfänge der Lithographie in Österreich (Vienna, 1921); rev. and ed. E. Herrmann-Fichtenau (Vienna, 1988)

L. Dussler. Die Incunabeln der deutschen Lithographie (1796–1821) (Berlin, 1925, 2/1955)

G. Fumagalli. Incunabuli della litografia d’Italia (Rome, 1937)

H. Menz. Die Frühzeit der Lithographie in Deutschland (Dresden, 1955)

F. H. Man. ‘Lithography in England, 1801–1810’, Prints: Thirteen Illustrated Essays on the Art of the Print, Selected for the Print Council of America, ed. C. Zigrosser (New York and London, 1962), pp. 97–130

L. Lang. ‘Les Premiers Essais de G. Engelmann: Catalogue des incunables de la lithographie française, 1814–1815’, Nouv. Est. (1972), pp. 11–19

L. Lang. ‘Le Catalogue par A. Winkler des premières lithographies allemandes’, Nouv. Est. (1975), pp. 10–12

‘L’Arrivée de la lithographie en France (1802): Un document inédit’, Nouv. Est. (1975), pp. 12–13

R. A. Winkler. Die Frühzeit der deutschen Lithographie: Katalog der Bilddrücke von 1796–1821 (Munich, 1975)

M. Twyman. ‘Thomas Barker’s Lithographic Stones’, J. Prtg Hist. Soc., xiii–xiv (1977–8), pp. 1–32

R. Butler. ‘Australia’s First Lithographs’, Austral. Connoisseur & Colr, iii (1982), pp. 94–9, 130 [Augustus Earle]

R. P. Hargreaves. ‘The First New Zealand Lithographs’, A. NZ (1982), pp. 50–51

M. Twyman. Rudolf Ackermann and Lithography (Reading, 1983)

T. Szrajber. ‘Orlowski and the Beginnings of Russian Lithography’, Prt Q., ix (1992), pp. 371–9

P. Wrightson. ‘Benjamin West, Thomas Rowlandson and William Combe’, Prt Q., ix (1992), pp. 361–8

G. Engelmann. Manuel du dessinateur lithographe: Description des meilleurs moyens à employer pour faire des dessins sur pierre dans tous les genres connus (Paris, 1822, 2/1824, 3/1830); Ger. trans. by K. Dielitz as Godefroy Engelmanns Handbuch für Steinzeichner (Berlin, 1833)

C. Hullmandel. The Art of Drawing on Stone (London, 1824, 2/1833, 3/1835)

C. Hullmandel. On Some Improvements in Lithographic Printing (London, 1827)

P. B. Watts. ‘The Rise and Progress of Lithography in Britain’, Brit. Lithographer, i (1892), no. 2, pp. 21–3; no. 3, pp. 13–17; no. 4, pp. 22–5; no. 5, pp. 29–31

R. Graul and F. Dornhoffer, eds. Die Lithographie (Vienna, 1903), iv of Die vervielfältigende Kunst der Gegenwart

R. M. Burch. Colour Printing and Colour Printers (London, 1910, 2/1910, rev. 1983)

O. Kruger. Die lithographischen Verfahren und der Offsetdruck (Leipzig, 1929)

H. T. Peters. America on Stone (New York, 1931)

R. V. Tooley. English Books with Coloured Plates, 1790 to 1860: A Bibliographic Account of the Most Important Books Illustrated by English Artists in Colour Aquatint and Colour Lithography (London, 1935, 2/1954, rev. 1979)

J. R. Abbey. Scenery of Great Britain and Ireland in Aquatint and Lithography, 1770–1860 (London, 1952)

J. R. Abbey. Life in England in Aquatint and Lithography, 1770–1860 (London, 1953)

J. R. Abbey. Travel in Aquatint and Lithography, 1770–1860, 2 vols (London, 1956–7)

L. E. Lawson. Offset Lithography (London, 1963)

F. A. Conningham and C. Simkin. Currier and Ives Prints: An Illustrated Check List (New York, 1970)

J. Schurre. Currier and Ives Prints: A Check List of Unrecorded Prints Produced by Currier and Ives, N. Currier and C. Currier (New York, 1970)

Art and Commerce: American Prints of the 19th Century: Boston, 1975

M. Twyman. ‘A Directory of London Lithographic Printers’, J. Prtg Hist. Soc., x (1974–5), pp. 1–55; repr. as monograph (London, 1976)

Artists at Curwen (exh. cat. by P. Gilmour, London, Tate, 1977)

R. Cooper. ‘The Popularization of Renaissance Art in Victorian England: The Arundel Society’, A. Hist., i (1978), pp. 263–92

Color Printing in England, 1486–1870 (exh. cat. by J. M. Friedman, New Haven, CT, Yale Cent. Brit. A., 1978)

P. C. Marzio. The Democratic Art: Pictures for a 19th-century America, Chromolithography, 1840–1900 (Boston, 1979)

B. Gascoigne. ‘The Earliest English Chromolithographs’, J. Prtg Hist. Soc., xvii (1982–3), pp. 63–71

Charles Hullmandel and James Duffield Harding: A Study of the English Art of Drawing on Stone, 1818–1850 (exh. cat. by C. Swenson, Northampton, MA, Smith Coll. Mus. A., 1982)

P. J. Weimerskirch. ‘Naturalists and the Beginnings of Lithography in America’, From Linnaeus to Darwin: Commentaries on the History of Biology and Geology (London, 1985)

J. Rosen. ‘The Printed Photograph and the Logic of Progress in Nineteenth-century France’, A. J. [New York], xlvi (1987), pp. 305–11

M. Twyman. Early Lithographed Books: A Study of the Design and Production of Improper Books in the Age of the Hand Press (London, 1990) [incl. cat.]

A. Bry. L’Imprimeur lithographe (Paris, 1835)

French Lithography: The Restoration Salons, 1817–1824 (exh. cat. by W. McAllister Johnson, Kingston, Ont., Queen’s U., Agnes Etherington A. Cent., 1977)

B. Farwell. French Popular Lithographic Imagery, 1815–1870, 2 vols (Chicago and London, 1981–2)

All the Banners Wave: Art and War in the Romantic Era, 1792–1852 (exh. cat., Providence, RI, Brown U., 1982)

L. Monrocq. Manuel pratique de lithographie sur zinc (Paris, 1891)

E. Dûchatel. Traité de lithographie artistique (Paris, [1893], repr. 1907)

H. Bouchot. La Lithographie (Paris, 1895)

La Centenaire de la lithographie (exh. cat., Paris, Acad. B.-A., 1895)

A. Lemercier. La Lithographie française de 1796 à 1896: Et les arts qui s’y rattachent s’adressant aux artistes et aux imprimeurs (Paris, [1896–8])

P. Leprieur. ‘Le Centenaire de la lithographie’, Gaz. B.-A., n.s. 2, xv (1896), pp. 45–57; xvi (1896), pp. 147–62

J. Pennell and E. R. Pennell. ‘The Centenary of Lithography’, Fortnightly Rev., lxx (1898), pp. 968–83

U. E. Johnson. Ambroise Vollard, éditeur: Prints, Books, Bronzes (New York, 1944, rev. 1977)

D. M. Stein and D. H. Karshan. L’Estampe originale: A Catalogue Raisonné (New York, 1970)

A. M. Fern and D. R. Rubinstein. The Avant-garde in Theatre and Art: French Playbills of the 1890s (Washington, DC, 1972)

From Manet to Toulouse-Lautrec: French Lithographs, 1860–1900 (exh. cat. by F. Carey and A. Griffiths, London, BM, 1978)

The Color Revolution: Color Lithography in France, 1890–1900 (exh. cat. by P. D. Cate and S. Hitchings; New Brunswick, NJ, Rutgers U., Zimmerli A. Mus.; Baltimore, U. MD Mus. A.; Boston, MA, Pub. Lib, 1978–9) [with Eng. trans. of A. Mellerio: La Lithographie originale en couleurs (Paris, 1898)]

P. D. Cate. ‘La Plume and its Salon des Cent: Promoter of Posters and Prints in the 1890s’, Prt Rev. (1978), pp. 61–8

F. Chapon. ‘Ambroise Vollard éditeur’, Gaz. B. A. (1979), pp. 33–47; (1980), pp. 25–38

The Print in Germany, 1880–1933 (exh. cat. by F. Carey and A. Griffiths, London, BM, 1984)

The Artists of ‘La Revue Blanche’ (exh. cat. by B. Waller and G. Seiberling; U. Rochester, NY, Mem. A.G., 1984)

The Neolith (1907–8) [quarterly produced by F. E. Jackson at the Central School of Arts and Crafts with text and illustration entirely lithographic]

J. Pennell. ‘The Senefelder Club and the Revival of Artistic Lithography’, The Studio, lxi (1914), pp. 3–17

C. Dodgson and J. Pennell. The Senefelder Club (London, 1922)

F. E. Jackson. ‘Modern Lithography’, Prt Colr Q., xi (1924), pp. 205–26

A. S. Hartrick. ‘Lithography and the Senefelder Club’, Apollo, ii (1925), pp. 203–10

L. Kistler. How to Make a Lithograph (Los Angeles, 1950)

International Biennial of Contemporary Color Lithography (exh. cats, ed. G. von Groschwitz; Cincinnati, OH, A. Mus., 1950–58) [5 vols]

The Artist and the Book (1860–1960) in Western Europe and the United States (exh. cat., Boston, MA, Mus. F.A., 1961, 2/1972)

The Senefelder Group, 1910–1960 (exh. cat. by H. Trivick, London, ACGB, 1961)

S. Jones. Lithography for Artists (London, 1967)

C. Adams and G. Z. Antreasian. The Tamarind Book of Lithography: Art and Techniques (New York, 1971)

Technics and Creativity: Gemini G.E.L. (exh. cat. by R. Castleman, New York, MOMA, 1971)

F. Mourlot. Souvenirs et portraits d’artistes (Paris, 1973)

Offset Lithography (exh. cat. by L. Sperling and R. S. Field, Middletown, CT, Wesleyan U., Davison A. Cent., 1973)

F. Woimant and M. Elgrishi. ‘Répertoire des imprimeurs lithographes en France (1975)’, Nouv. Est., xxiv (1975), pp. 19–28

C. Tomkins. ‘Profiles: The Moods of a Stone, Tatyana Grosman’, New Yorker (7 June 1976), pp. 42–76

F. Mourlot. Gravés dans ma mémoire: Cinquante ans de lithographie avec Picasso, Matisse, Chagall, Braque, Miró (Paris, 1979)

Tamarind Lithographs: A Complete Catalogue of Lithographs Printed at Tamarind Institute, 1970–79 (Albuquerque, 1980)

C. Adams. American Lithographers, 1900–1960: The Artists and their Printers (Albuquerque, 1983)

Art and Technology: Offset Prints (exh. cat. by H. Davies and H. Murata, Bethlehem, PA, Lehigh U., Ralph Wilson Gal., 1983)

L. Peters. ‘Print Workshops U.S.A.—A Listing’, Prt Colr Newslett., xiii (1983), pp. 201–6

C. Adams. ‘Margaret Lowengrund and the Contemporaries’, Tamarind Pap., vii (1984), pp. 17–23

The Print in Germany, 1880–1933: The Age of Expressionism (exh. cat. by F. Carey and A. Griffiths, London, BM, 1984)

Gemini G.E.L.: Art and Collaboration (exh. cat. by R. E. Fine, Washington, DC, N.G.A., 1984)

Tamarind: From Los Angeles to Albuquerque (exh. cat., ed. L. Gedeon; Los Angeles, UCLA, Grunwald Cent. Graph. A., 1985)

Ken Tyler: Master Printer and the American Print Renaissance (exh. cat. by P. Gilmour, Canberra, N.G., 1986)

P. Delaney. ‘F. Ernest Jackson: Draughtsman and Lithographer’, Apollo, cxxv (1987), pp. 338–43

M. Friedman and others. Tyler Graphics: The Extended Image (Minneapolis, 1987)

K. Tyler. Tyler Graphics: Catalogue Raisonné, 1974–1985 (New York, 1987)

E. Sparks. Universal Limited Art Editions: A History and Catalogue, the First Twenty-five Years (Chicago, 1989)

Tamarind Lithography Workshop Inc: Catalogue Raisonné, 1960–1970 (Albuquerque, 1989)

Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida (exh. cat. by R. Fine and M. L. Corlett, Washington, DC, N.G.A., 1991)

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