The Museum of Modern Art , MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 79

The Moroccans marvelously evokes tropical sun and heat even while its ground is an enveloping black, what Matisse called "a grand black, . . . as luminous as the other colors in the painting." Utterly dense, this black evokes a space as tangible as any object, and allows a gravity and measured drama without the illusion of depth once necessary to achieve this kind of grandeur.

The painting, which Matisse described as picturing "the terrace of the little café of the casbah," is divided into three: at the upper left, an architectural section showing a balcony with flowerpot and the dome of a mosque behind; a still life, of four green-leafed yellow melons at the lower left; and a figural scene in which an Arab sits with his back to us. To his right is an arched doorway, and windows above contain vestigial figures. The form to his left is hard to decipher, but has been interpreted as a man's burnoose and circular turban.

During his visit to Morocco in 1912-13, Matisse had been inspired by African light and color. At the same time, he faced the challenge of Cubism, the leading avant-garde art movement of the period, and The Moroccans summarizes his memories of Morocco while also combining the intellectual rigor of Cubist syntax with the larger scale and richer palette of his own art.