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Allan McCollum (American, born 1944)

About this artist

Source: Oxford University Press

American sculptor. McCollum has stated that formative influence in his work included the Fluxus movement of the 1960s and the work of conceptual artists, such as Sol LeWitt and Daniel Buren. In 1975 he moved to New York. Departing from the notion of a work of art as a rare object of unique value, he introduced a procedure of studio manufacture of precast models made in unlimited editions. The series of Perfect Vehicles (exh. New York, Cash–Newhouse Gal., 1986) resembled large vessels, sealed and painted in Moorglo on concrete. Over 10,000 Individual Works (exh. New York, John Weber Gal., 1987) comprised precise rows of miniature units moulded from found objects, painted in enamel on solid-cast Hydrocal (fibreglass and concrete). McCollum scrupulously avoided aspects of ironical parody typical of Pop art. His works were not presented as decorative accessories or social commentary but as physical signs of the mechanical drives of existence—of repetitious behaviour and patterns of market-based relationships.


From Grove Art Online

© 2009 Oxford University Press

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