American sculptor, draughtswoman, installation and environmental artist. She studied liberal arts at Rutgers University, New Brunswick, NJ (1964–8), and obtained an MA in studio art at the City University of New York (1968–71), where she worked under Robert Morris and became familiar with systems theory. From the 1960s Aycock developed phenomenologically site-orientated works to include metaphor and simile, referring to machinery and construction sites, archaeological sites, models, children’s play areas and funfairs and other public or social settings. For example in a Simple Network of Underground Wells and Tunnels (1975) six concrete wells (1.62 sq. m) with connecting tunnels were sunk into an area of ground c. 6.1×12.2 m at Merriewold West, Far Hills, NJ (destr.). The curious sense of authority within her sophisticated, well-made structures is simultaneously articulated and undermined by a nonsensical, non-functional and fantastical element. Her works are often a synthesis of diverse elements. The imagery of the Game of Flyers (wood, steel, fire, water, birds, 1979–80; Washington, DC, Project A.) derives equally from tantric drawings, the problem of designing and constructing a machine for human flight and thoughts about World War II. By the 1990s Aycock produced both elaborate site-specific and gallery installation works. Examples of her work are housed in the Australian National Gallery, Canberra, the Museum Ludwig, Cologne, and the Whitney Museum of American Art, New York.
From Grove Art Online
© 2009 Oxford University Press