Library exhibitions

BAUHAUS↔VKhUTEMAS: Intersecting Parallels

American Surfaces and the Photobook

The Valise

Amos Paul Kennedy, Jr.: Quotations of Rosa Louise Parks and Church Fans

Back in Time with Time-Based Works: Artists’ Books at Franklin Furnace, 1976–1980

Aerial Imagery in Print, 1860 to Today

THE ELECTRO-LIBRARY: European Avant-Garde Magazines from the 1920s

“The Roof of the Whale”: El Techo de la Ballena and the Venezuelan Avant-Garde, 1961–1969

Messing with MoMA: Critical Interventions at the Museum of Modern Art, 1939–Now

The Unmaker of Objects: Edgardo Antonio Vigo’s Marginal Media

Artist/Novelist

Reading List: Artists’ Selections from the MoMA Library Collection

Please Come to the Show, Part I (1960–1980)

Please Come to the Show, Part II (1980–Now)

Artists’ Alphabets

“How to Make Good Pictures”: Manuals and the Popularization of Amateur Photography

Millennium Magazines

Scenes from Zagreb: Artists’ Publications of the New Art Practice

Access to Tools: Publications from the Whole Earth Catalog, 1968–1974

Artifact or Idea? Photography in MoMA Exhibition Design, 1937–1979

Experimental Women in Flux

Lost and Found: The Work of Bern Porter from the Collection of The Museum of Modern Art Library

Freedom of the Press: Artists Publish on the American Presidency

How to Make a Modern Art Library: Selections from the Éluard-Dausse Collection

Words in Freedom: Futurism at 100

Elements and Unknowns

Machine for Living Color

Picasso’s Demoiselles d’Avignon at 100

Spaces for Learning at The Museum of Modern Art, 1929–1969

Documenting a Feminist Past: Art World Critique

America Fantastica: Art, Literature, and the Surrealist Legacy in Experimental Publishing, 1938–1968