Anna Maria Maiolino. Desde A até M (From A to M), from the series Mapas Mentais (Mental Maps). 1972–99. Thread, synthetic polymer paint, ink, transfer type, and pencil on paper, 19 5/8 × 19 1/2″ (49.8 × 49.5 cm). The Museum of Modern Art, purchase
  • Floor 6, Special Exhibitions Gallery South

On Line explores the radical transformation of the medium of drawing throughout the twentieth century, a period when numerous artists subjected the traditional concepts of drawing to a critical examination and expanded the medium's definition in relation to gesture and form. In a revolutionary departure from the institutional definition of drawing, and from the reliance on paper as the fundamental support material, artists instead pushed line across the plane into real space, thus questioning the relation between the object of art and the world. On Line includes approximately three hundred works that connect drawing with selections of painting, sculpture, photography, film, and dance (represented by film and documentation). In this way, the exhibition makes the case for a discursive history of mark making, while mapping an alternative project of drawing in the twentieth century. The exhibition includes works by a wide range of artists, both familiar and relatively unknown, from different eras of the past century and from many nations, including Aleksandr Rodchenko, Alexander Calder, Karel Malich, Eva Hesse, Anna Maria Maiolino, Richard Tuttle, Mona Hatoum, and Monika Grzymala.

On Line Performances

Performance 11: On Line/Trisha Brown Dance Company
January 12–16, 2011

Performance 12: On Line/Marie Cool and Fabio Balducci
January 17–20, 2011

Performance 13: On Line/Anne Teresa De Keersmaeker
January 22–23, 2011

Performance 14: On Line/Ralph Lemon
January 26–30, 2011

Performance 15: On Line/Xavier Le Roy
February 2–6, 2011

Accompanied by the film series On Line: Drawing and Film

Publication
782 250
On Line: Drawing Through the Twentieth Century
Hardcover, 216 pages
Out of stock

The exhibition is organized by Connie Butler, The Robert Lehman Foundation Chief Curator of Drawings, The Museum of Modern Art, and Catherine de Zegher, former director, The Drawing Center, New York.

The exhibition and accompanying performance series are made possible by MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, The International Council of The Museum of Modern Art, Maja Oeri and Hans Bodenmann, The Contemporary Arts Council of The Museum of Modern Art, and the Robert Lehman Foundation.