Toyo Ito. Sendai Mediatheque, Miyagi, Japan. 1995–2001. © Naoya Hatakeyama

A Japanese Constellation focuses on the network of architects and designers that has developed around Pritzker Prize winners Toyo Ito and SANAA. Providing an overview of Ito’s career and his influence as a mentor to a new generation of Japanese architects, the exhibition presents recent works by internationally acclaimed designers, including Kazuyo Sejima, Ryue Nishizawa, Sou Fujimoto, Akihisa Hirata, and Junya Ishigami. Departing from one of Ito’s pivotal works, the Sendai Mediatheque, completed in 2001, as well as SANAA’s 21st Century Museum of Contemporary Art, Kanazawa (2004), the 44 featured designs range in scale from small houses to museums. Organized through intersecting spaces separated by translucent curtains, drawings, models, and images reveal the structural invention, non-hierarchical thinking, and novel uses of transparency and lightness that link these practices. Exploring a lineage of influence and cross-pollination that has become particularly relevant at the start of the 21st century, the exhibition highlights the global impact and innovation of contemporary architecture from Japan since the 1990s. With its idea of a network of luminaries at work, A Japanese Constellation is intended as a reflection on the transmission of an architectural sensibility, and suggests an alternative model to what has been commonly described as an individuality-based “star-system” in contemporary architecture.

Video

Organized by Pedro Gadanho, former Curator of Contemporary Architecture at MoMA, and current Director of the Museum of Art, Architecture, and Technology (MAAT) in Lisbon; and Phoebe Springstubb, Curatorial Assistant, Department of Architecture and Design, MoMA.

Major support for the exhibition is provided by the E. Rhodes and Leona B. Carpenter Foundation, The Japan Foundation, and Chris A. Wachenheim.

Generous funding is provided by Obayashi Corporation, Kajima Corporation, Shimizu Corporation, Taisei Corporation, Takenaka Corporation, the Graham Foundation for Advanced Studies in the Fine Arts, Kumagai Gumi, The Obayashi Foundation, and Toda Corporation.

Special thanks to Muji.

Additional support is provided by the MoMA Annual Exhibition Fund with major contributions from Alice and Tom Tisch, The Contemporary Arts Council of The Museum of Modern Art, Glenn and Eva Dubin, Blavatnik Family Foundation, The Donald R. Mullen Family Foundation, Inc., The Junior Associates of The Museum of Modern Art, Mimi and Peter Haas Fund, Brett and Daniel Sundheim, Franz Wassmer, Karen and Gary Winnick, and from the Susan and Leonard Feinstein Foundation.