Wikipedia entry
Introduction
Jean-Luc Godard (UK: GOD-ar, US: goh-DAR; French: [ʒɑ̃ lyk ɡɔdaʁ]; 3 December 1930 – 13 September 2022) was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. During his early career as a film critic for Cahiers du Cinéma, Godard criticized mainstream French cinema's "Tradition of Quality" and championed Hollywood directors like Alfred Hitchcock and Howard Hawks. In response, he and like-minded critics began to make their own films, challenging the conventions of traditional Hollywood in addition to French cinema. Godard first received global acclaim for Breathless (1960), a milestone in the New Wave movement. His work makes use of frequent homages and references to film history, and often expressed his political views; he was an avid reader of existentialism and Marxist philosophy, and in 1969 formed the Dziga Vertov Group with other radical filmmakers to promote political works. After the New Wave, his politics were less radical, and his later films came to be about human conflict and artistic representation "from a humanist rather than Marxist perspective." He explained that "As a critic, I thought of myself as a film-maker. Today I still think of myself as a critic, and in a sense I am, more than ever before. Instead of writing criticism, I make a film, but the critical dimension is subsumed." Godard was married three times, to actresses Anna Karina who claimed that he was abusive towards her and Anne Wiazemsky, both of whom starred in several of his films, and later to his longtime partner Anne-Marie Miéville. His collaborations with Karina in Vivre sa vie (1962), Bande à part (1964) and Pierrot le Fou (1965) were called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. In a 2002 Sight & Sound poll, Godard ranked third in the critics' top ten directors of all time. He is said to have "generated one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." His work has been central to narrative theory and has "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award. He was known for his aphorisms, such as "All you need to make a movie is a girl and a gun" and "A film consists of a beginning, a middle and an end, though not necessarily in that order." However, critics have also claimed that Godard's films contain prevailing themes of misogyny and sexism towards women.
Wikidata
Q53001
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Getty record
Introduction
Innovative filmmaker whose unconventional cinematography, narrative style, and focus on radical politics was influential in the 1960s. As a young critic in the 1950s, Godard was one of several writers who turned Cahiers du Cinéma into a critical force. Many of these writers later became filmmakers themselves.
Nationalities
French, Swiss
Gender
Male
Roles
Artist, Film Director, Cinematographer, Critic, Writer, Video Artist
Names
Jean-Luc Godard, Jean Luc Godard
Ulan
500193556
Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License

Works

54 works online

Exhibitions

Publications

  • MoMA Highlights: 375 Works from The Museum of Modern Art Flexibound, 408 pages
  • MoMA Now: Highlights from The Museum of Modern Art—Ninetieth Anniversary Edition Hardcover, 424 pages
  • An Auteurist History of Film Paperback, 256 pages
  • Jean-Luc Godard: Son+Image Exhibition catalogue, Clothbound, pages
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