Wikipedia entry
Introduction
Luis Buñuel Portolés (Spanish: [ˈlwis βuˈɲwel poɾtoˈles]; 22 February 1900 – 29 July 1983) was a Spanish and Mexican filmmaker who worked in France, Mexico and Spain. He has been widely considered by many film critics, historians and directors to be one of the greatest and most influential filmmakers of all time. Buñuel's works were known for their avant-garde surrealism which were also infused with political commentary. Often associated with the surrealist movement of the 1920s, Buñuel's career spanned the 1920s through the 1970s. He collaborated with prolific surrealist painter Salvador Dali on Un Chien Andalou (1929) and L'Age d'Or (1930). Both films are considered masterpieces of surrealist cinema. From 1947 to 1960, he honed his skills as a director in Mexico, making grounded and human melodramas such as Gran Casino (1947), Los Olvidados (1950) and Él (1953). Here is where he gained the fundamentals of storytelling. Buñuel then transitioned into making artful, unconventional, surrealist and political satirical films. He earned acclaim with the morally complex arthouse drama film Viridiana (1961) which criticized the Francoist dictatorship. The film won the Palme d'Or at the 1961 Cannes Film Festival. He then criticized political and social conditions in The Exterminating Angel (1962) and The Discreet Charm of the Bourgeoisie (1972), the latter of which won the Academy Award for Best Foreign Language Film. He also directed Diary of a Chambermaid (1964) and Belle de Jour (1967). His final film, That Obscure Object of Desire (1977), earned the National Society of Film Critics Award for Best Director. Buñuel earned five Cannes Film Festival prizes, two Berlin International Film Festival prizes, and a BAFTA Award as well as nominations for two Academy Awards. Buñuel received numerous honors including National Prize for Arts and Sciences for Fine Arts in 1977, the Moscow International Film Festival Contribution to Cinema Prize in 1979, and the Career Golden Lion in 1982. He was nominated twice for the Nobel Prize in Literature in 1968 and 1972. Seven of Buñuel's films are included in Sight & Sound's 2012 critics' poll of the top 250 films of all time. Buñuel's obituary in The New York Times called him "an iconoclast, moralist, and revolutionary who was a leader of avant-garde surrealism in his youth and a dominant international movie director half a century later."
Wikidata
Q51545
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Getty record
Introduction
A friend of the painter Salvador Dalí and the poet Federico García Lorca, Buñuel went to Paris in 1925 and entered film-producing circles, feeling that film would become his true medium of expression. For the next 60 years, Buñuel pursued his career in his native Spain, in France, in the United States, and in Mexico. He generally worked within the limitations of the film industry while including personal, frank expressions of his own obsessions, and is noted for having been influenced by Freudian psychoanalysis and having abandoned religion. Best remembered for his early Surrealist films and for his work in the Mexican commercial cinema, Buñuel's prolific career is distinguished for his highly personal style and controversial obsession with social injustice, religious excess, gratuitous cruelty, and eroticism.
Nationality
Spanish
Gender
Male
Roles
Artist, Film Director, Cinematographer, Photographer
Name
Luis Buñuel
Ulan
500074770
Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License

Works

4 works online

Exhibitions

Publications

  • An Auteurist History of Film Paperback, 256 pages
  • Luis Buñuel: 100 Years Paperback, 344 pages
Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research/circulating-film.

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].